What major and minor mean
"Major" and "minor" are not moods. They name an interval structure — a particular pattern of steps — and the note that decides which one you're in is the third degree.
It's the 3rd
From the tonic up to the 3rd:
- a major 3rd = 4 half steps (two whole steps) → the scale is major;
- a minor 3rd = 3 half steps (a whole step and a half) → the scale is minor.
G major's 3rd is B. G minor's 3rd is B♭. Move that one note down a half step and the whole scale changes character.
Minor also lowers the 6th and 7th degrees compared to major — so the full natural-minor recipe is 1 2 ♭3 4 5 ♭6 ♭7. But the 3rd is the one your ear registers first as "it went minor."
Hear it — a tune that turns
The opening of Twinkle uses ^1, ^5 and ^6 — no 3rd — so here the 6th does the work. Play it in C major, then again with the A lowered to A♭ (borrowing from C minor):
The natural minor scale
Its step recipe is W – H – W – W – H – W – W. (It's the major-scale pattern started from its 6th note — more on that in Relative and parallel.)
The one you'll actually play this stage is E natural minor: E F♯ G A B C D E. It has one sharp (F♯) — and on the violin it uses the exact same first-position hand shape as the G major scale. You already know the fingering.
Try it
Try
On the A string, play A (open), then B (1st finger), then C♯ (high 2) — that's ^1 ^2 ^3 of A major, a major 3rd from A up to C♯. Now slide the 2nd finger back to C natural (low 2) — ^1 ^2 ♭3 of A minor, a minor 3rd. Back and forth, listening. The half-step slide of one finger is the whole difference between major and minor.
The usual mistake
"Minor means sad." It doesn't. Plenty of minor-key music is fierce, driving, or triumphant (think of a fast folk fiddle tune), and plenty of major-key music is heartbreaking. The key sets up an interval structure; the mood comes from tempo, rhythm, dynamics, melody and touch. Don't play every minor piece mournfully by reflex.