From Zero to Mozart
Stage 1First position & the staffLesson 10 of 43 · Reading

The E string, note by note

The last of the four, and the odd one out — its low notes need a low 1st finger, the only string where the 1st finger slides. No open string sits above it, so the tuning check changes too.

The five notes

NoteFingerWhere it is
E0 — openthe string itself
F1, lowpulled back near the nut (F♯, a normal 1, is what sharp keys want)
G2, lowback against the 1st finger
A3a whole step above G
B4

The ladder

58 bpm
E F G A B up the E string, then back down. These climb above the staff onto ledger lines.

The 1st finger slides here

F natural is a low 1 — reach back toward the nut, further than feels right at first. F♯ is the normal 1. G natural is a low 2. In sharp keys — and most E-string tunes are in sharp keys — both fingers slide forward to their normal places: F♯ (1), G♯ (2).

52 bpm
Open E, then F natural (low 1, back near the nut), then F♯ (normal 1). The 1st finger has two homes — only on this string.

The sharp-key hand

56 bpm
E F♯ G♯ A — the major pattern, every finger in its normal forward place. This is the shape most E-string passages use.

The tuning check

No open string sits above the E, so the same-pitch trick doesn't work at the top. Instead: play 3rd-finger A on the E string, then the open A string — an octave apart. In tune, they sound like one note in two registers, clean and still. Or check any note against a drone.

Read it

56 bpm
E string only, all naturals — so all the low fingers. Name each, then check.

The usual mistake

Playing F♯ where the music writes F♮ — the 1st finger in its normal place when the note wants it pulled back. Right next to an open string, always ask: a whole step up (normal finger) or a half step (finger back)?

Try

E F♯ G♯ A B and back — the sharp-key shape. Then the same with F natural and G natural — the low fingers — and hear the difference. Check 3rd-finger A against the open A string.