The two "bending the beat" ideas, read cold on the D string. Clap first, then say, air-bow,
play, reveal. Keep the pulse rigid underneath both — that's the whole test.
1 · Triplet beats among duple beats
54 bpm
Beat 3 of bar 1 and beat 2 of bar 2 are eighth-note triplets — three even notes. Everything else is duple. Switch feel without the pulse lurching.
2 · Rest on the downbeat
58 bpm
An eighth rest steals beat 1 of bar 1, so the first note lands on the '&'. Feels like it arrives early — keep your foot on all four beats.
3 · Both together
52 bpm
Syncopated start — the first note on the '&' of beat 1 — then a triplet on beat 2, then two quarters, then a held D. Slow, and count every subdivision.
If either one collapses
For the triplet: split the beat into six even parts out loud and play every other one. For
the syncopation: clap the steady pulse with your foot and only the notes with your hands,
so you feel exactly where each one falls against the beat.