From Zero to Mozart
Stage 8Sight-reading & ear trainingLesson 34 of 44 · Ear & musicianship

Hearing a cadence

A cadence is how a phrase punctuates — a full stop, a comma, a question mark, a surprise. Stage 4's what-a-cadence-is and the-other-three-cadences taught the four kinds on paper. Hearing which one just went past is a gate skill — it's on the Intermediate check — because it proves you're following the harmony, not just the tune.

The four endings

CadenceChordsSounds like
Perfect (authentic)V → Ia firm full stop. Done. The phrase has landed and settled.
PlagalIV → Ithe "a-men" ending. Also a stop, but softer, rounder, less driven.
Halfanything → Va comma, or a raised eyebrow. It stops on tension — the phrase is unfinished, expecting an answer.
DeceptiveV → vithe swerve. You brace for I and get vi instead — a minor chord where home should be. A surprise, a "not yet."

Two of them end resolved (perfect, plagal); two end unresolved (half — on the dominant; deceptive — on the wrong resting chord). That's the first split to hear.

58 bpm
Three two-chord endings in G, each chord broken into its notes: V→I (bars 1–2), IV→I (bars 3–4), I→V (bars 5–6). Name each ending — perfect (firm stop), plagal (soft 'amen'), or half (hangs unfinished) — then reveal.

Try it

Try

In G, play these pairs slowly as broken chords (one note at a time) and label each by ear: D–F♯–A then G–B–D (perfect); C–E–G then G–B–D (plagal); G–B–D then D–F♯–A (half). Then close your eyes, play one at random, and name it. The perfect/plagal pair both resolve — tell them apart by how hard they land. The half one just doesn't finish.

The usual mistake

Only listening to the last chord. A cadence is a move — two chords — and the same destination chord means different things depending on where it came from (V→I is perfect, IV→I is plagal). Hear the pair. The other mistake: missing a deceptive cadence because you "heard a resolution" — you heard a landing, but on vi, not I. If home suddenly went minor, you were deceived.