The bow and the fingers, apart then together
Your two hands do completely different jobs, and they run on separate tracks. The bow arm draws a steady, even stroke; the left hand changes notes underneath it. The bow doesn't know the fingers moved — and it mustn't.
The problem
The beginner's bow hitches — it slows or stops or jerks every time a finger drops. Or the opposite: the fingers wait for the bow. Either way the two hands are fighting, and the sound stutters.
The fix: apart, then together
Every method teaches this. Practise the two hands separately first, then combine them slowly:
- Air-bow the line — the right arm alone, drawing even strokes in the air or on an open string, no fingers. Feel the bow speed stay constant.
- Finger the line silently — the left hand alone, dropping and lifting the notes, no bow.
- Together, slow — and the one rule is: the bow's speed does not change at a finger drop.
Now one bow per note
The other coordination: the bow changes direction exactly when the finger drops — not before, not after. Down on the first note, up on the second, and so on.
A longer line — keep the bow even through it
The usual mistake
The bow braking at every finger change — a little dip in the sound on each new note. Or a gap, because the finger lands after the bow has already moved past. Slow right down until the bow speed is genuinely unbroken, then inch the tempo up.
Try
Take the five notes above. Air-bow the shape ten times (no left hand). Then finger it ten times (no bow). Only then put them together, at half the speed you think you need.